There is something incredible about writing a book. Not only do I spend time reading and researching, writing and rewriting, there is the moment when the book is finished and I expect a ticker-tape parade. Every time I’ve finished a manuscript, there has been no trumpet blare, no pat on the back, and I am always alone. Writing is a solitary activity – for the most part.
That’s why I’m enjoying these interviews so much! I can offer a virtual celebration of work well done, an Internet pat on the back, and we can come together, however briefly, as members of the writing world.
I’m thrilled to introduce you to Julie Krantz, fellow writer, mother of four, and author of several books geared toward our world’s youth. I feel like I’ve meet a kindred sprit! We have much in common. Julie shares her story, her writing, and her experiences with us. Enjoy! You are going to love her!
What inspired you to begin writing?
Oh, boy, that’s hard to pinpoint. I’ve always loved to read—as a teenager and an adult. And I guess that’s what inspired me to write—admiring those fictional worlds created by the amazing writers I read as a youth—Madeline L’Engle (especially A Wrinkle in Time), Carolyn Keene (yes—Nancy Drew’s author!), JD Salinger (everything he wrote, not just Catcher in the Rye), among others—and wanting to create some of my own.
I loved reading as kid, I think, because I grew up in a small town on the Delaware River in South Jersey. We didn’t have a library in Palmyra, so I’d ride my bike to the Riverton library. I loved going in that tiny yellow Victorian house and heading for the children’s room—followed by forays into adult fiction, poetry and reference books. (Remember when we had to go to the library to research stuff? Wow—that seems so antiquated now!) I also loved stopping in the ‘Sharon Shop’ with my girlfriends for ice-cream sodas on the way home.
What keeps you motivated?
I’m not sure how or why or what, but I am motivated—and hope to stay that way! I guess it’s got something to do with loving to read, wanting to write my own stories, and being fascinated by human nature, especially characters I met in fiction. Some of my favorites were, for instance, were Pip and Ms. Havisham in Great Expectations, Jerusha Abbott in Daddy Long-Legs, and Francie in and A Tree Grows in Brooklyn. And, of course, Holden Caulfield and Franny and Zooey and the rest of the Glass family.
Can you share a favorite quote or a mantra that you might have posted near your workspace?
Oh, boy, this is embarrassing. I don’t have anything posted near my workspace because my workspace is in a nice, cozy recliner next to big windows overlooking piney woods and a rushing creek.
I did recently come across a quote I admire, though. It’s by fellow-North Carolinian Daniel Wallace, the author of Big Fish:
“I wouldn’t advertise my experience as one I’d want anyone else to have – to write for 14 years before you publish a book. That’s absurd perseverance. If your son or daughter were working on something for 10 years, wouldn’t you say, ‘Maybe it’s time to work on something else’? But “perseverance really is an outgrowth of passion and desire. … I knew I could succeed at something else. But [that] wasn’t important for me…. I would rather fail at this than succeed at [anything] else.”
I guess this pretty much sums up how I feel about writing, too.
In terms of marketing, what have been some of your more successful efforts?
Hahaha—now that’s a funny question! I’d say I’ve spent the better part of the past two years trying everything and anything I could (within reason and on a zero to none budget) to market my books—only to meet with great—shall I say—un-success? But it’s been fun. Now I know about how to leverage categories and keywords on Amazon, how to use Twitter, Facebook, Pinterest and WordPress. Sad thing is, there’s something new to learn everyday. So I hope my efforts pay off at least a little soon so I can get back to writing!
Did you make a business plan for yourself and your writing?
The only thing I’ve ever made a business plan for was a kitchenware store a neighbor and I were thinking about opening in New York. I thought I did a pretty good job, even though we never opened the store—my neighbor wanted 51% share of the company without making any sort of monetary contribution at all. Hmmm. Maybe it wasn’t such a good plan after all.
As far as writing, I’m not a very business-oriented person (as you can probably tell from the above scheme), but I do have to thank my husband for supporting me in all my writing efforts. I keep telling him they will pay off someday….
Tell us about your book, Stella Bellarosa: Tales of an Aspiring Teenage Superhero.
Ah, now that’s my favorite question! Stella Bellarosa (that was the original title. I added ‘Tales of an Aspiring Teenage Superhero’ to increase its discoverability on Amazon. Keywords, remember….) is about two teenage girls who get caught returning a stolen wallet (which is already kind of a silly thing—one of them didn’t even steal it) then decide to run away to midtown Manhattan rather than tell their parents they’ve been suspended for 3 days (they devise a story to tell to cover-up their suspension/disappearance). The novel is set in the 1960’s, which was totally fun for me to write about—as were Stella and Pin Pin’s adventures in midtown.
I guess you could say the story came to me for a few reasons—like Stella and Pin Pin, I went to Catholic School and had vivid (sometimes silly, sometimes scary) recollections of the discipline code as well as the nuns and priests and religious rules in general. Secondly, I wanted to explore certain issues I’d encountered as a teenager—isolation, alienation, uncertainty-of-being-loved, etc.—as well as other things I knew were (and still are) important to kids today, like prejudice and immigration and poverty.
If I had to sum up what I want readers to walk away thinking about, I guess I’d say it’s mainly about familial love and acceptance, as well as love from other sources—like friends and friends’ families. And it’s about doing what you believe in even if it’s not always the ‘right’ thing to do, as is, sadly, sometimes the case. I also want kids to laugh—at Stella, at me, at life—really laugh, because I think that’s the best way to handle tough situations.
Your stories have appeared in various publications, including an early version of YOSHI’S YUCCA, in Spider Magazine. What kind of prep work did you do before writing and submitting to Spider?
Well, nothing for that submission in particular, but I did spend lots of years writing other stuff before Yoshi’s Yucca. I also spent lots of time before (and mostly after) Yoshi’s Yucca reading books about writing, reading and studying all the great fiction I could, and taking all sorts of courses and workshops—online and at graduate school. Oh, and getting rejected. Yes, lots of time getting rejected.
How has your family impacted your writing? With four children, I’m sure they always inspire ideas.
Oh, my family has impacted my writing in huge ways. The kids were fun to raise and I think that’s why I started writing for children. I love little kids—who they are, what they do, how they think. I’m a little like Holden Caulfield that way—wanting to catch them and keep them like that before they leap into the affected fields of adulthood.
But my family-of-origin has played a big part in my writing, too. I remember Pat Conroy talking about Prince of Tides, I think, and saying something about all writers coming from interesting—read ‘dysfunctional’—families. I don’t believe mine wasn’t as dysfunctional as his, exactly. But let’s just say—they were ‘interesting.’
After two of my maiden aunts died without anybody in the family knowing, I decided to dedicate all my books ‘to my family—on both sides of the river,’ by which I mean those who lived east and west of the Delaware.
Are you published through a publishing house or have you taken the role on yourself to self-publish?
I came to self-publishing reluctantly, though I have to say I’m a real proponent of it now. And I don’t think it’s sour grapes. I’ve always been a bit of a rebel, renegade, iconoclast, whatever-you-call-it (like many folks who grew up in the ’60’s), and have enjoyed seeing traditional publishers get shaken-up. I don’t dislike them, per se, I’m just glad e-publishing has leveled the playing field a bit by opening publishing up to the non-celebs and non-paranormal-dystopian-romance-writers.
What is one writing tool that you believe is a must have?
Wow, I have to think about this. I guess the first thing that comes to mind is the computer (especially the laptop, since I umm-errr write in a recliner). I also love my i-Pad, though I don’t use it for writing. I’ve written a bunch of children’s poetry and picture books, and, new to illustration, I’ve been having lots of fun drawing pictures on my i-Pad. I’m not sure they’re fun for people to look at, but they’re fun for me to draw. I know it goes against conventional wisdom to illustrate your books if you’re not a trained illustrator/artist, but I don’t care. I love doing it and think it’s good for me. Plus—who else would illustrate my books for free? Natalie Goldberg’s got a new book out on this very subject, I believe.
Julie, thank you for sharing your writing and your life with us! To learn more:
Visit Julie’s blog @ juliekrantz.wordpress.com/
Follow her on Facebook https://www.facebook.com/juliekrantzbooks
Visit her Amazon Author page: www.amazon.com/Julie-Krantz/e/B00996YNZ4
Julie has more than Stella Bellarosa: Tales of a Teenage Superhero. Her other books include:
Isabel Plum: Ichthyologist
Tip & Oliver: BFFs
Stella Bellarosa: Tales of an Aspiring Teenage Superhero
Forthcoming this summer on Amazon is
Yogabets: An Acrobatic Alphabet
A message to the reader: If you are an Indie Author or are published by a Small Publishing House and would like to be considered for an interview, click on the picture below…